主观主义摄影

第二次世界大战后形成的比抽象派摄影更“抽象”的摄影艺术流派，是存在主义哲学思潮在摄影艺术领域中的反映.其创始人德国摄影家斯坦内特明确地提出摄影艺术主观化的艺术主张.认为摄影艺术的终极应该是揭示摄影家自身的朦胧意念和表现不可言传的内心状态和下意识活动.主观摄影就是人格化、个性化的摄影，是一种自由的不受限制的创造性艺术，可以任意使用技术手段去创造照片的摄影艺术.主观主义摄影作品的特点表现为：作品是摄影家自我意念的表现，画面中的一切只不过是摄影家表现自我的“载体”而已；充分利用镜头的透视性能，把客观物体加以改造，使之成为意念的“物化体”，在画面中组合创造自己的“世界”；运用暗房技法，把被摄对象原有的丰富影调简化，将自然、平凡的关系转化为强烈的视觉关系；利用多次曝光、连续闪光等手段，使被摄体从时间概念中分离出来，能动地把时间概念和空间位置加以调换.该流派有代表性的摄影家还有：杰.施莫尔、肖.范欧坎、兰.佩恩等.&&&&照相机及其附件 Formed after World War II, abstract photography is more than "abstract," the art of genre, the existence of Marxist philosophy and ideas in the field of photographic art reflected. Its founder, German photographer Sitanneite clearly put forward the subjective of Photographic Art arts advocate. that should be the ultimate art of photography is to reveal the photographer's own vague ideas and performance of unspeakable inner state and the subconscious activities. subjective photography is the personification, personalized photography, is an unrestricted freedom of creative arts can be free to use technical means to create the photo art of photography. subjective photography features were as follows: work is a photographer, self-concept of the performance of all the screen is only photographer self-expression "vector" only; take full advantage of performance of the lens perspective, the objective to transform an object, making it idea of a "materialized body" in the screen combined to create their own "world"; the use of darkroom techniques, photo objects to be transferred to simplify the existing wealth of video would be a natural , the average relationship into a strong visual relationship; the use of multiple exposure, continuous flash and other means, so that Pi Sheti separated from the notion of time, and dynamically take the time to exchange ideas and spatial location. representative of the genre of photography home include: kit. Schmohl, Xiao. Fanou Kan, Lan. .&&&& Payne camera and its accessories, etc.