獭皮

德国剧作家豪普特曼的重要作品之一.在德国戏剧史上与莱辛的《明娜.封.巴尔赫姆》，克莱斯特的《破瓮记》并称为德国三大喜剧.完成于１８９３年.作品通常被称为“偷窃喜剧”。剧本通过一个表面头脑简单，实则很有心计的洗衣妇沃尔夫大娘巧妙地瞒过地方警察、密探偷窃木材和獭皮的故事，辛辣地揭露和讽刺了普鲁士官吏的愚蠢，刚愎自用与政权机构的腐败.豪普特曼在戏剧结尾处，让案件不了了之，被盗者甘认倒霉，资窃者被宣布为诚实的良民，无能的断案者继续当官，生活依然如故.这一方面说明作者在理论上受到自然主义的影响，有意识地使他的剧本有别于古典戏剧的结构方法.另一方面也表露了作者对于戏剧史诗化倾向的偏爱.８年之后，豪普特曼又创作一出悲喜剧《火灾》（１９０１），作为《獭皮》的续篇，但由于女主人公带有明显的市侩习气，她的行为和结局并不能象沃尔夫大娘那样令人同情.《火灾》也没有《獭皮》那样的影响. German playwright Hauptmann's most important works. In the history of German theater and Lessing's "Minna. Sealing. Baerhemu," Kleist's "broken urn in mind" and called Germany's three largest comedy. was completed in 1893. works are often referred to as "stealing comedy." The surface of the script through a simple-minded, but in reality shenanigans of the washerwoman Wolf aunt cleverly hidden from the local police, the theft of timber and otter skin detective story, spicy, and satire to expose the folly of the Prussian officials, opinionated and government agencies corruption. Hauptmann in drama at the end, so that the case let the matter rest, theft, identify those who Gan unlucky, capital burglary were declared to be an honest innocent person, incompetent handling of cases to continue serving in life remains the same. This shows authors are, in theory, the impact of naturalism and consciously make him the script is different from the structure of classical drama approach. On the other hand it also reveals the author's tendency for dramatic epic preference .8 years after the Hauptman also create a tragicomedy "Fire" (1901), as the "otter skin," the sequel, but because of the heroine with an apparent philistine habits, her behavior and outcomes are not very sympathetic as the Wolf aunt did. "Fire" also there is no "Otter skin" like effects.