舞台情感

戏剧表演术语.指角色在舞台上根据剧中人的情感需要所做出的情感表现.关于“舞台情感”的论述首见于 狄德罗的《 论戏剧艺术》之中，他认为演员在舞台上发自内心的多情善感，其依据有二：一是演员本人的气质，二是表演过程中突然产生的灵感.但他反对将演员的个人情感与舞台角色的情感合而为一，主张将艺术与生活区分开来.随着表演理论的发展，现在人们通常认为作为表演手段的舞台情感有下列特点：（１）是虚构的 戏剧情境下的虚拟表演，所创造的是艺术的真实.（２）是不同于生活真实的美感创造，因此演员在表演中应采用艺术创造的冷静态度，在意志的监督下掌握好表演强度.（３）应按照角色的情感脉络，做出合乎逻辑的，有顺序的富有整体美的情感表现. Drama terminology. Refers to the role of the stage on the basis of the emotional needs of the dramatis personae make emotional expression. On the "Stage emotion" on the first found in Diderot's "theory of dramatic art", it he thinks actors on the stage sentimental heart, on the basis there are two: one actor's own temperament, and second, performing the process of sudden inspiration. but he was opposed to the actor's personal emotions and feelings into one stage, the role of advocate of art with separate living area. With the development of the theory shows, it is now generally considered as a means of stage performances emotions have the following characteristics: (1) is a fictional drama situations of virtual performance art created by the real. (2 ) is different from the true beauty of life to create, so the actors performances of artistic creation should be a cooling-off attitude in the will perform under the supervision of master strength. (3) shall be in accordance with the role of emotional context and make logical, there are the order of the overall beauty of the rich emotional expression.