电影美学

电影学中研究 电影艺术基本规律和特性问题的分科.从美学角度而言也是美学的一个部门性分科.一般来说电影美学的研究对象包括以下几个方面：（１） 电影作为艺术与现实的关系，即如何运用电影艺术手段认识和反映现实的规律问题.（２） 电影思维作为 形象思维的特点.即研究电影艺术的形象特性，电影思维区别于其他形象思维的特点等问题.（３）电影中 艺术形式的规律性，包括一般规律性以及特殊规律性（电影样式、风格、结构原则、表现手段、 电影语言等）问题.随着电影艺术和美学研究的发展，电影美学的研究对象与范围也在不断地拓展与变化.２０世纪６０—７０年代以来 电影美学研究已走入了一个综合化、细密化的开放空间. 电影哲学、 电影社会学、 电影心理学、电影 社会心理学、 电影符号学、 电影叙事学等学科的出现，新的研究方法和多种手段的运用，使电影美学的 内涵和外延始终处在丰富和扩展的动态过程之中，以至于电影美学界在界定电影美学的性质、研究对象的范围等问题上一直未能取得一致的结论. Film Studies studied the basic laws of Motion Picture Arts and characteristics of the problem of specialization. From an aesthetic point of view, is a division of Division of aesthetics. Generally speaking, the film aesthetic object of study include the following aspects: (1) film as art and reality relationship, that means understanding how to use the cinematic art, and reflect the reality of the laws of the question. (2) as the image of the film thinking, thinking features. that the study of the image characteristics of Motion Picture Arts, movies, thinking, thinking in images is different from the characteristics of other issues. (3) The regularity of the film art form, including the general law and special laws (film style, style, structure, principles, performance measures, movies, language, etc.) problem. With the film research and development of art and aesthetics, film aesthetic object of study and range is continually expanding and changing .20 century, 60-70 years of movie aesthetics since the research has entered a comprehensive, detailed and oriented open space. philosophy of cinema, film sociology, psychology, film, movies, social psychology, film semiotics, film narrative the emergence of science and other disciplines, new research methods and the use of various means, so that the connotation and extension of the film aesthetics has always been enriched and expanded in a dynamic process, so the film the film aesthetics in defining the U.S. academic the nature of such issues as the scope of the study has been unable to obtain the same conclusions.