堪的派摄影

第一次世界大战后兴起的一种反对绘画主义摄影的流派.这一流派的摄影家主张尊重摄影自身的特性，提倡拍摄时不摆布、不干涉被摄对象，抓取自然状态下被摄对象的瞬间情态，作品的艺术特色是客观、真实、自然、不事雕琢、形象生动且富有生活气息.堪的派摄影家大部分从事新闻摄影工作，大都崇尚人性世态的表现，但其美学思想和创作倾向较为复杂，有的为自然主义者，有的为写实主义者.堪的派摄影有两位杰出的代表人物.一位是德国的萨乐蒙，他创造了用小型相机运用现场光线抓拍人物形象的摄影技法，它拍摄的《罗马政治会议》由于真实、生动、朴实、自然而成该派的经典作品.另一位是法国摄影家 布勒松，他提出的“ 决定性瞬间”的摄影理论在摄影界得到广泛的认同并具有深远影响.他的许多作品为一些国家级的博物馆收藏.这一派的著名摄影家还有美国的麦阿沃依、英国的戴摩尔、法国的哈夫门等. After World War I the rise of a doctrine opposed to painting genre of photography. The photographer of this genre claims to respect the photographer's own characteristics, to promote shooting without mercy, non-interference has been photo objects, crawl under the state of nature has been the object photo instantaneous modality, works of art characterized by an objective, true, natural, not something carved, vivid and rich flavor of life. worthy of sending a photographer most of the photography in the news media, most of the performance of state humane world, but its aesthetic and creative thinking tend to be more complex, and some for the naturalist, and some were for realism. candid photography were two outstanding representatives. a Salomon of Germany, he created the site using a small camera to use light snap People photographic image technique, it is taken "political conference in Rome," due to the real, vivid, simple, naturally formed in the camp classics. Another is a French photographer, Bresson, he proposed a "decisive moment" photography theory within the photographic world widely recognized and has far-reaching impact. Many of his works for a number of national-level museums. this school, there is a well-known photographer Maia Wo according to the United States, Britain's wearing Moore, France's huff doors .